Archive for the ‘Lists’ Category

To Marrakech…


2010
03.14

I am off to Marrakech!! I’m looking forward to doing nothing other than wander the souks and gardens of this extraordinary city. Of course I will be taking my camera but the only writing I will be doing is making lists in my notebook - lists like artists’ sketches make brilliant starting points for writing both prose and poetry. After this long winter I’m hungry for Morocco’s vibrant colour and its heat.

Yesterday at our RoomToWrite day the heat was turned up as we sat under glass in the elegant conservatory at Whitworth, looking out onto the  snowdrops and deer. It was a beautiful morning – the sun shone for us once again – there is some kind of magic at work here I feel-  and there was magic in the conversations, the intense and complex discussions and in the writing that continues to grow and develop. There was great comaraderie too and we were delighted to welcome Colleen all the way from Chicago via London, and we were sad to miss Erica and Anne – hope we will see you in November.

So much good writing – some of which will appear on our website in April, so make sure you take a look. I leave you with something I like a lot from Kate Mosse:

There’s only one difference between published and unpublished writers and it is this – the first group see their work in print on the shelves of Waterstone’s or Tesco or online at Amazon; the second group are yet to have physical evidence of the hours, weeks, years spent fashioning words into their patterns. You are already a writer.

How To Begin Editing Your Novel


2009
07.26

Anyone who has followed my blogs knows I am a big fan of lists - apart, of course, from the ones that itemise the supermarket shopping, or the kind I used to make when I was at work in the prison. No, I’m talking about the creative list:the list that makes a poem or the list that guides you through a tricky process like editing. Such a list should never be  followed slavishly, but should be a list that gets you going, a list that above all inspires and helps. A list that gets to the heart of things.

So here ‘s my list for beginnng the edit of your novel. I will be using it too.

         1. Choose a rainy Sunday, better still set aside a day in your diary, make a date with yourself, but before you begin sit down to breakfast -this is a day to relish!

 

breakfast 2

I like to eat my breakfast looking out onto the garden and I prefer fine cut to thick marmalade every time

   

     2. Now ask yourself the most important question of all – what kind of an editor am I? Consider when you set out to edit your work what it is you are most likey to do or focus on. What might you do too much of? What might you forget?

I know that I tend to spend a long time on close editing my text: the words, phrases, sentences, how they fit together, whether they can be improved (more of this in my later post about micro editing). There is nothing wrong with this and I will always want to edit my work to a fine level BUT I know that sometimes it gets in the way of the bigger picture.  I need to get out of my comfort zone of fine tuning - so to do this, instead of embarking on a close screen edit I am going to resist the word play and go straight for broke to number 3

    3. Print off a copy of your novel – all of it!  Your words will seem different on the page, the whole thing will seem different, and if you want to read with the eyes of a stranger then the screen simply won’t do. Make sure your manuscript has wide margns and double spacing so that you have plenty of room to write directly onto the page. 

    4. Make a list (the woman is obssessed I hear you say!) of the key themes and contexts of your novel and keep a copy in front of you or stick one up on the board above your desk. This will act as a kind of checklist and  help you to sustain and strengthen the layers of your novel. Mine begins:

     Danny Beck’s dance with death

     Newcastle in winter

    Danny’s recent ‘escape’ from the world of prison

    Surveillance/watching

    5.  Once you have completed your list then try to write down what your book is about. Do this in no more than three sentences , (not always easy) and keep this with you or put it up on your noticeboard. You can then refer back as you read through and check that you have not lost sight of the most important aspects of your story.

    6. Now armed with a notebook for things that need further consideration and pens or pencils -perhaps the hardest task of all-  re-invent yourself. Imagine that you are about to go on holiday and have just picked up this book to take with you – as far as possible put yourself in this stranger’s shoes or on their sunbed and read your novel as they would. This is difficult but well worth trying – critical distance is everything

    7. Bear in mind the points raised over the course of the next week, in posts 3, 4 and 5 in particular and start reading.

    8. Enjoy - no writing or task associated with writing should be anything but enjoyable! Smile and take a moment to pat yourself on the back and gloat at  having reached the milestone of your first completed draft.

ms

My manuscript today - fresh from the printer!

Good Luck!

If you would like to contact me with any thoughts or questions but do not want to leave a blog comment then  my e mail address is - amjoy@hotmail.co.uk 

The Windows of Agde


2009
05.17

 

blue-window

 

I cannot live without windows. Who could? But for me I think they have a special significance. I seem to notice them, sometimes more than other people. A throwback perhaps to my years spent in prison where the day was often elusive.  I would occasionally come out of the prison and someone would remark on what a beautiful day it had been. Only then would I realise that I had almost no knowledge of the day outside, beautiful or otherwise – that I had instead been consumed by the interior world of the institution and both it’s  physical and metaphorical darkness.

 In our beautiful house in Agde (where incidentally, ironically some might say, there are bars at the downstairs windows) the southern light falls from windows of varying shapes and sizes. Some are oddly placed but all are set in the deep stone walls, under wide lintels. Many belong to homes that no longer exist and have become part of new structures, the ever changing arrangement of  houses and streets in the old town, where behind its windows, time hangs in layers of stone and lace waiting to be revealed.

 

 

house-window

 

All windows are here: there is no uniformity, but there are long shutters, both open and closed, peeling pastel paint, balconies and iron balustrades, geraniums in pots, washing hanging out to dry, children looking down on the street below, men in vests… another list is growing…notes to myself, rather like the photgraphs I’m taking – all briefing notes for future writing and poems.

 

many-windows2

 

Writing about windows had made me think – ‘How do I know what I think until I see what I say ?’ (E M Forster via http://lifetwicetasted.blogspot.com/  My thinking tells me that my love of windows is about much more than being starved of light ,all those years in the prison. It is about the need to always see the world out there – to let it call and entice, to let it in, full of its possibilities, new places, new journeys  – one of which I am on now…

 

dark-window1

 

I think it’s about liberation and not about prison at all and I notice my Private Investigator in my new novel feels the same as me! 

…Beck faced the windows. They were the best things about the place; tall sashes with decent wood slatted blinds that overlooked the street below. Perhaps he would move things around so that he faced the windows. So he could look out not in. He would prefer that. He hated the windowless rooms he’d inhabited in various prisons, the migraine inducing, airless, offices without light…

The Canal du Midi


2009
05.12

 

cdm-path3 

On Saturday I took a beautiful walk along the Canal du Midi. When I came home I wrote a simple list of the things I saw.

I am, as I mentioned in my very first post, a great fan of the List. When I was travelling in the eighties I kept a journal but often ended the entries with a free flowing list – capturing the places in its objects and in my fleeting impressions.cdm-flag-irises1

Here is my Canal Du Midi list:

pale clover, flag irises, thick green water, silver shifting grasses, boats too old to sail, half sunk, battered, peeling paint, freckled butterflies, Plane trees -spotted with age, holding the banks for centuries, a family picnic, pink bindweed, voices indistinct sucked into water, distant clank of freight, birdsong, mallards, nightingales, washing on lines strung between trees, shuttered house barely seen, open vistas to the vineyards of early summer, filtered sunlight, dogs on the pathway, bicycles, walkers, fishermen, mad-eyed young men, smiles, Bonjour Madame, bright new boats parting waters, diners aboard under neat umbrellas, dreadlocks, henna, where salt water meets fresh, the green Herault.

And from this list came my poem (still in early draft) – the words, ‘ come and live with me on the canal Du Midi,’ kept echoing round in my head as I walked

 

Nice Idea Honey

If I asked you to

come and live with me on the

Canal du Midi

in a boat past sailing

under plain trees dappled

with age

 

come…and live with me

among pale flowers

irises and bankside washing

in the distant clunk of freight

where voices muffle in

the green Herualt

if I asked you, you would

say nice idea honey but…

 

If you asked me to

come and live with you on the

Canal Du Midi

by the vineyards of early summer

with the nightingales, fishermen,

dogs, and mad-eyed young men

if you asked me to buy a bicycle and flee

I would say nice idea honey but..

what if, what if this,

if that – what is free-

 

it’s a nice idea honey- nice,

that I can ask you-

because I know  

you will never ask me.

 

Here are some more pictures of my walk

cdm-house

cdm-washing

 

 

 

cdm-laburnham

 

 

cdm-boat2

The Notebook Affair


2009
04.04

Notebooks

Let me confess at the very outset – I have fallen hopelessly, helplessly in love with writing.

My ten year affair was love at first sight – and forever- and my addiction is such that last year in August I gave up my handsomely paid job with Her Majesty’s Prison Service to become, yes -a full-time writer! Madness I know but I was smitten and what do I care? I am a writing junkie who needs her fix, lusting after everything remotely connected with the writing world, and intoxicated with my new found freedom to enjoy it all.

Joyce Carol Oates in a Paris Review interview (and if you don’t know this magazine or the four book set featuring interviews with writers then take a look – they provide sharp insights into the way great writers work and are a real record of the writing life) – says ‘somehow the activity of writing changes everything.’  Well that’s how it is for me.

Writing has and is changing my life!

Take the notebook for example - I was never much bothered about notebooks before. Now I am quite obsessed. The thought of a ring binder file filled with loose- leaved,  hole- punched file paper, has me running for cover. Only a notebook will do – Pukka Pad Vellum with its delicious cream paper across which the pen purrs, Cahier 96 pg Rouge Papier, as only the French make, with its delicate squares, soft black Moleskine, Rosehip- fruit and floral motif covers and clean white paper – no lines. My lovely John Singer Sergeant from the National Gallery of Scotland, bought for me by my daughter and far too beautiful to write in – I could go on – but suffice to say, even if you write for the most part direct onto the computer (which I rarely do in the first instance) you should always, always, carry a notebook with you for your writing sketches

 

customised-notebook

As you can see I like to customise some of my notebooks  by collaging the covers with pictures or words – better torn than anything more precise. This was something I learned from my wonderful friend and mentor author Wendy Robertson. It’s creative and fun – rather like blogging – and if like me you are a notebook floosie, and have far too many on the go at any one time, it helps with distinguishing one from another (a roughly made contents page on the inside cover helps but is nowhere near so pretty) 

At a recent writing workshop, for International Women’s Day Handbags and Gladrags, led by Wendy and myself, I was inspired to write my poem Dangerous Places, which includes  references to two of the notebooks I was carrying with me that day. It all came from us emptying the contents of our handbags onto the table in front of us – the table was piled high with all the important things we carry around with us every day but also with the debris of our lives and in some cases the downright bizzare! (ask yourself what you have in your handbag right now – see what I mean?). We made a list of everything before us and took it from there. There was a lot of discussion, fun and laughter but some pretty serious stuff too  – here is my poem

Dangerous Places -

Here – the rose covered notebook of my escape
from a hidden place
secreted in the handbag of a new life -
scented with broken sandalwood sticks

Here – the grey beaded necklace from Pazenas
that begs my return,
pencilled in the slim diary of past
indescretions and private investigations

Here the purple satin make-up bag, bought new,
a second notebook, blue -
without the cornflower paperweight of
my daughter’s wild imaginings.

Here – Rose Tremain’s The Swimming Pool Season,
silent marker held-
coaxing new beginnings half- formed,
waiting for the rush of early pages
and the whisper of the first fecund spring.

Here – the keys, pens, glasses and memory stick
all, of my incarceration
reformed, reborn in the well of my aspiration.

Sing softly now of dangerous places
no longer silent.

Perhaps you recognise the rose covered notebook from my first photo? and my escape from prison too!

Writing Tip -Notebooks/Lists- if you’re not used to using  a notebook, or if you’re just starting out, then use your notebook to make LISTS – lists are a very important tool for the writer – observe the world around you -maybe over a coffee in a favourite cafe, or a glass of wine (but be warned after more then one glass the writing tends to go astray!)

Use single words at first, develop them into phrases and don’t foget that it’s the ‘glint on broken glass,’ we are after and not the shining moon- this is really the show don’t tell mantra – the Chekhov quote at the start of the blog. Just to know the sun is shining is often not enough, we need to look for fresh ways to describe or imply – without telling – we don’t tell our readers we show them

Once you have  your list then you have a starting point: the bones of  a poem, snatches of dialogue, a useful aid to memory if you want to recapture the day or place, and just a beautiful thing in itself…