Archive for the ‘Poetry’ Category

A Week In August


2010
08.08

AUGUST

cloth from Dehli

around the table

family

————

white bamboo on black frayed silk

dressing gown as old as my children

——————————–

A man of insight

is not easily persuaded

of cheap solutions

————————

looking for the northern lights

on the high wind blown hill

——————————————

three shooting stars tear

across my night vision

wishes for you

—————————————–

I used to think freedom meant

doing whatever you want ( N.Goldberg)

———————————————–

a man and a woman

meet at the beach hut

a novel begins  *

———————————————

summer’s fireweed stands

sentinel beside the railway track

* more of this later!

Renga Verse


2010
08.02

Recently I found myself captivated by the poet Linda France’s Book of Days – in which she set herself the challenge of writing a renga verse every day for twelve months – so much so that I have set myself an identical challenge. I began it on July 25th.

Renga is a traditional form of collaborative verse dating from 10th century Japan where poets would gather and write verses together, whilst drinking tea or saki – subjects were the natural world, love, the moon and all phenomena vulnerable to change. The first verse of 3 lines – the hokku is the origin of the haiku and is followed by a two line verse.

In renga each verse must have some connection with the preceding one but also depart from it, avoiding repeating a word or an idea. So the renga is carried forward, mirroring the flow of our lives, always changing, never still.

France says it is the – ‘authenticity and integrity’ that she ‘most appreciates about renga – the way it refuses to fix things into easy categories, how it resists personal ownership and control. It has ideas of its own.’

After only eight days I find I am fascinated by the way in which renga has such ideas of its own, how out of a simple two or three line verse inspired by the particular: one’s own world or daily life, emerges a greater truth that at times may sound and behave like an ancient proverb, that may contain a simple but unexpected universality.

When I began I found that when I tried to sleep that night my head swam with words  – hence

Silver scales fall from my eyes

renga fish in the net of night

And the next day -

The closed mill race

forces the flood waters

inside

Renga should of course be collaborative so please add your own 2 or 3 line renga – I would love to publish it for my 100th post which is coming up next!

Discovering John Harvey


2010
06.22

I have a confession to make – this year, on the recommendation of a friend, I discovered John Harvey – a little late I hear you say – or maybe not? Maybe like me you’ve come more recently to crime fiction and have yet to read him in which case you are in for a treat. While I was in France I read Lonely Hearts, the first in the Charlie Resnick series and I fell in love with the man, and of course with his three cats: Dizzy, Miles and Pepper. Dizzy, by the way, is a hooligan who if he were human Resnick suspects  would ‘spend days meandering drunkenly around shopping centres,’ splashing  ‘through municipal fountains with a red and white scarf dangling from his belt.’

So what’s so good about John Harvey? In the first place there’s the writing itself: elegant and witty, Harvey paints a rich canvas, making us see everything. It’s a visual treat. Then there are the characters: beautifully drawn especially Charlie Resnick, a man who cares about victims, about those on the bottom of the heap and a man who cares about women. Charlie Resnick likes women! Place is here too and the whole is deliciously downbeat – definitely my kind of music!

John Harvey loves Jazz that’s his kind of music and he’s a poet too. His 1998 collection Bluer Than This which I’ve just started reading shows the influence of jazz and painting on his writing – Roland Kirk, Chet Baker, Edward Hopper, Pierre Bonnard. The poems are tender, about love and loss, straight from the heart – my kind of poems too!

One last thing – John Harvey blogs. YES! This  seems to me to make him instantly inclusive – inviting as it does comment and dialogue. He’s not too grand despite being the Master of British Crime – just can’t believe it’s taken me so long to find him.

Returning to Agde


2010
06.19

It is still there – the place and the people I spent two months living in and around last year. Of course it is. Agde has been there for two and half thousand years, one of the very oldest towns in France. So why would it not be waiting  just as before?

Going back was emotional for all kinds of reasons ( I shed a tear on arrival, on seeing Wendy) – it had been such a creative time, it had been time out, a watershed, a new found freedom, the beginning of  a new life – and so I guess I was fearful that it wouldn’t live up to its former promise. I need not have worried, Agde offered all of these propects still, and meeting up with friends Alan and Nira and acquaintances like the lovely lady in the Cafe Capitaine- Thaus – which means peacock in Algerian- only served to reinforce my sense of belonging.

Nothing had changed, except me and I was suddenly very aware how in returning we are inevitably looking from a different place.

This is a second draft of my poem from this year’s visit – I will continue to work on it once I’ve put it away and forgotten it

The Weather In The Streets

A cold wind blows unseasonal rain at my back.

Nothing has changed but the weather in the streets,

this thin clothed June  stripped of sun still whispers

in my ear, stirs the foreign tongue, amphorae

pulled from the the mouth of the sea, from the pea-green

Herault precious boody* washed smooth in memory’s drum

past the rub of sea bed silt that breaks piece by

piece the blue glass vase, while above

in this year’s rain geraniums grow tall, blood red

burning against the basalt of before. Nothing has changed

but the mirror I hold to memory’s face, its fragments and

the place I look back from, the pot of last year’s wine.

* Boody is small pieces of collected treasure – shells, glass etc

Fortunately for us Agde is west of Marseille – I was shocked and saddened to hear of the floods and  the loss of life further along the coast in Draguignan and the surrounding area, the news was just breaking as I made my way back to England

In The Field of Cows 2


2010
05.12

Not quite my field or cows - unfortunately my camera is broken.

Last autumn I wrote a poem In The Field of Cows, about loss and the ‘disappearance’ of  the beautiful cows I’d watched all summer in the field opposite my house. Later, Jan, my sister-in-law, who is an artist, etched some of the words in glass.

Four days ago the cows came back! As beautiful and new as ever, and  as well as indulging my new found passion for crime fiction I am writing about them again – here is my poem in progress…

In The Field of Cows 2

You come back, surprise me

-velvet black, copper, grey-ghost

water stained stones-

show me the sky of

billowy cloud, trees turned

beech, salmon pink and lime

leap across lady’s smock

head nuzzle, tail flick you huddle

a troupe not yet separate you

swagger and play, remind me what it is

to jump the moon, seize the day

in praise of summers to come

oblivious to the wind tarnished

blossom yesterday blown

A Winter Villanelle


2010
01.03
view from cons

View from the Conservatory

This Christmas life has been different. Firstly there was –and still is – the snow -snow which has plunged us deep into the heart of winter, forcing us indoors apart from an occasional trek across snow laden fields in winter boots and Christmas hats, scarves and gloves. But the most memorable difference and the thing which has given me greatest pleasure this year – apart from having my family gathered together under one roof- has been sitting under the glass roof of my newly built conservatory.

At last a room of my own – well all are welcome to join me – but a room for reading and for listening to music and for shutting out the television. My best Christmas present ever. I knew I would like it, love it even. I knew I would enjoy reading and writing in it, drinking wine with friends and family. What I didn’t know was how much it would be about stillness and sitting – just sitting. I didn’t know how meditative and reflective a place it would be.

It is as if I sit outside in the landscape, a part of it. In a room full of reflections I can look beyond to the outline of the bare trees against the winter sky to other times and places, near and distant.

To me winter is the season for reflection. It is contemplative, often melancholic, and so because it is winter and because I was given a copy of Stephen Fry’s The Ode Less Travelled for Christmas and because of my beautiful new conservatory I was inspired to write this Winter Villanelle -

Winter hour reflections grow

Like ripples in a darkening pool

The lost and loved of long ago

———–

Circle above the black winged crow

Winding out the memory spool

Winter hour reflections grow

———–

For what it was she thought to know

Come skating through the icy cool

The lost and loved of long ago

———–

Bone tree bare December’s glow

Keeper of the fable jewel

Her winter hour reflections grow

————

And leave their footprints in the snow

Songs of silence muffle cruel

The lost and loved of long ago

————-

Flames that dance coal caverns blow

In the fire of dreaming’s fuel

Her winter hour reflections grow

The lost and loved of long ago

tree in conservatory

The Sea House.


2009
10.15
sea house

The back of the former hotel where our apartment was situated

Cornwall was warm (very warm!) and exotic. It was full of stories and inspiration. Our apartment Njoya was beautifully positioned, much nearer the sea than I had dared  hope and equipped with everything you could possibly need (I would highly recommend it- Classic Cottages – S. Cornwall, Coverack – lovely ownwers Ray and Jenny Toft). The coastal path was at our door and the sea was a huge presence, constantly shifting and hypnotic. We sat outside on sea watch, with a glass of wine in hand, on more than one evening and I was reminded of how powerful an influence the sea can be on one’s mood and well being. Terry from Easington recently sent me a poem Thoughts of the Sea that expresses this very well – and of course the sea features very strongly in this part of East Durham.

In Cornwall I found the need I often feel to escape the public world emerging. Despite outward appearances I like being in hiding – and I began a number of poems which I will work on now for some time. Here is an extract towards the end of a poem I have called…

The Sea House ….

…and I sit in the shift of small things
the patterns of now and the sea-house evening
when the men

go down after midnight to catch
another early tide and return when the sun warms
the quay

a million miles a year to arrive from the east
slipped back in the bed rock of time, I am ghost of
myself out of public

no white sailing boat on a flat blue sea.

But – despite my brief and welcome exile it’s great to be back and I am looking forward very much to working in Easington, to the prison Book Festival event at the Gala Theatre on Oct 27th and our Room To Write weekend – all of which will keep me very busy and will be very exciting!

s house inside

Inside Njoya

Big Yellow Sofa – Andalucia


2009
08.30

Apolgies for being off air – apparently my server was down and I have also been on holiday for a week, see below!

mountain

I have just had a lovely a week with my family in Andalucia in Spain, in a beautiful villa in the hills above Nerja. The villa was perched high up among the eagles and we watched them daily, coasting overhead on the thermals. To my great delight there were  bee eaters too, performing their high wire act, just as in France, their wings turning to copper in the sun.

The wall of the villa that led out onto the terrace was comprised of glass doors which slid back and opened the house to the world. On the terrace you could stand and look back on the theatre of your family life. From the interior comfort of the big yellow sofa you could see the mountains and the sea.

The night sky was awesome (a word my son David often uses and which  I rarely think appropriate but seems in this instance to fit) – Venus in front of us, the miasma of the milky way stretching overhead. There wasn’t a single evening when we didn’t see a shooting star fall in the west. We talked of galaxies and dark matter, listened to Mark’s guitar, while Jan drew portraits-  (I definitely hope to post some soon) and Katie painted delicate studies in pale ink. In this creative soup I was longing to write poetry but somehow it eluded me. Maybe it was a question of tension – the idea that poetry is born out of  a tension or disturbance, as expressed by Lavinia Greenlaw

‘The impulse towards a poem can usually be felt as a form of tension – absence, connection, interruption, something that heightens your interest and tugs at your focus, that you can’t quite see, make sense of, resolve or escape’

 There was no ‘tug.’ Maybe I was just too relaxed. Maybe I had finally come to embrace my new life after twenty five years in prison.

I am tempted to call this my bee eater summer. Why? because I first saw bee eaters one morning long ago in Tricomlee  when I was travelling and freer than I’d ever been before. Now once again they have surfaced first in France and now Spain – a symbol of a new found freedom. It is now a year exactly since I left HMP Low Newton.

So, no poem, but what did emerge was a cosmic song! I have never written a song before, but the music, and the scent of celebration, of fun and fiesta that hung in the air (more of that later) must have crept in unseen.

With apologies to Joni Mitchell- I called it Big Yellow Sofa – here are the first four verses (music a la Bob Dylan, at a later date with the help of Mark )

Big yellow sofa, see the sea from here, through the looking glass, into spiral, out on the arm of the universe

Fly yellow sofa, step across a mountain sky, slipway to the faded sea, star shadows fall, footprints of the galaxy

Feet up on the yellow sofa, see Africa from here (on a clear day), through the jazz riff  of guitar plays, out on the eagle wind

Balcon d’ Europa sofa, back-up to ink black hill, see the marbled sunlit gene pool, spirogyra soup, that spilled the milky way…

Dreaming Spires


2009
08.11

 

co

Christchurch College Oxford

A friend of mine recently mentioned a trip to the beautiful city of Oxford and straight away it reminded me of how much I love Matthew Arnold’s , ‘city of dreaming spires,’  from his poem -Thyrsis:

…And that sweet city with her dreaming spires,
She needs not June for beauty’s heightening…

Arnold is right when he says Oxford does not need the benfit of June’s enhancing. It is a special place whatever time of year you visit. Here are two extracts from different poems I wrote one wet November after a trip to Oxford. Even in the rain and the dusk it seemed a place of magic - and of course as we all know it was the home of Morse!

 

November in Oxford

……gilt edged stucco and ceiling rose

long hidden, now exposed

cry softly through paper walls

into wet city streets

and fountains dance

in the shadow of life’s darkening

pool – while you hide

under the skirts of the umbrella

it’s stems blown wide

in the November wind.

 

Sunday

…high stools and low ceilings

banish a century of Sunday blues

Moss walled cocoon

crowd alleys and cobble 

patent pavements,

red wine undress recall

unknown memories

shared, didn’t everyone

watch Morse? Did you? …

 I think perhaps it’s time for another trip to Oxford!

Sushi, Poetry and the Laing Gallery


2009
07.12
A detail from the Burne Jones windows

A detail from the Burne Jones windows

 

On Thursday I did some research for my novel about Private Investigator Danny Beck. This involved trying sushi for the first time at the Yosushi bar in Fenwick’s Food Hall. As a consequence I  have decided that Beck definitely eats sushi with plenty of wasabi when he has a hangover! 

It also involved a visit to the Laing Gallery cafe to look at the wonderful Burne Jones stained glass windows which dominate the space.  Beck sometimes meets Sarah here - she is a landscape artist and the love of his life but she is married to his best friend. 

Yesterday I spent the day reading poetry and working on my poems from the Languedoc. I also ordered some poetry from Amazon – How the Bicycle Shone by Gillian Allnutt, who lives and works here in County Durham. I would really like to learn so much more about writing poetry and I am very conscious that the first thing to do is READ as much as I can.

Some of my poems seem hard come by others arrive easily – here is one that arrived yesterday, its about leaving France

 

Leaving

 Now the trees in the Jeu de Ballon are flowering

in feathers and the oleander’s brilliance is gone

 

today the heat seems more welcome than before

beneath the red canopy of the Café Plaza -

 

the faces more familiar and the sun on my feet

softer falling in pools on the dusty bedroom floor -

 

the wind off the Herault cooler as it runs

upstream to pebbled seas and diving bridge gorge  -

 

the bark of the plain tree more dappled in the square

where the empty stage has yet to be deconstructed -

 

the building’s skin greyer, muted blue and flat

shuttered as the afternoon heat peels paint from wood

 

while at the open window above me a purple

curtain shifts, catches in the white cat’s paw

 

and snags the thread of leaving from this place of now

how quickly it runs away, and the days empty.

 

My three good things for today -  reading my poems from yesterday, working at the table alongside my son David, a cup of tea and a Tunnocks tea cake (the way they melt in your mouth -ummm!)